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and you can stay in either one
64 duotone plates
this series includes 22 photographs taken at various beaches in Southern California and New York between 1969 and 1970
He arranged these pictures into photo albums
so I choose to portray them through a more theatrically absurd approach
Page Three silas-finch and you can stay inRoss Bleckners deeply personal camera work travels over the intimate contours of a lovers body and the pages of his daily newspaper. The enigmatic and absurd landslide of images that inundate our daily lives falls across the pages of this book and is mounted like so many strange butterflies on every page. Perhaps the images are a cumulative autobiographyan effort by the artist to suggest that all we reach out to and all we touch are the mirror that
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