Damien Hirst: Cathedral, Duomo Black-and-white Photography where Mary Weatherford spent several

where Mary Weatherford spent several weeks in 2012 as a visiting artist at California State University

who observed that the aspirations of modernity are now “lost futures

along with Piano (1965)—a formative sculpture on loan from the Castelli Collection—and three other defining works

the book includes a foreword by Camille Weiner and essays by Osei Bonsu and Rachel Cargle

there’s still some accessibility to it: Instead of just one painting

Damien Hirst: Cathedral, Duomo Black-and-white Photography where Mary Weatherford spent severalDamien Hirsts Cathedral series features symmetrical kaleidoscopic patterns made up of numerous butterfly wings, inspired by the stained glass rose windows of Gothic cathedrals around the world, such as the Hagia Sophia, Notre Dame de Paris, and the Palais des Papes. With their hypnotic geometric designs, the limited edition prints are reminiscent of Hirsts famous Kaleidoscope paintings.