Christopher Wool Jeff Wall and James Lingwood explores the

and James Lingwood explores the artist’s work in terms of transformation

and you see their deconstruction

and sculptural installations by Shaw that incorporate artifacts including wigs

Weatherford makes large paintings comprising grounds of spontaneously sponged paint on heavy linen canvases surmounted by one or more carefully shaped and placed colored neon tubes

illustrates numerous works and features an essay by Bice Curiger

Christopher Wool Jeff Wall and James Lingwood explores theThis book was published on the occasion of Christopher Wool: See Stop Run at 101 Greenwich Street, New York. Organized by the artist with curator Anne Pontgnie, the survey exhibition was presented on the unoccupied nineteenth floor of a building in Manhattans Financial District in spring and summer 2024 and drew more than 12,500 visitors. Featuring seventy five works by Wool from the past decade, it employed the vacant 18,000 square foot space, and